Beata Beatrix by Dante Gabriel Rossetti, ca 1864-70.

Becoming Beatrice

Dante adored her so much that he cast her as his guide in the Divine Comedy. But who was Beatrice Portinari?
The cover of Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip

Lost Literacies Strips Down the Dawn of Comics

In his new book, literary historian Alex Beringer demonstrates how the birth of the genre of printed comic long preceded the Sunday Funny Pages.
Musée d'Orsay, Paris

Gae Aulenti: An Independent, International Architect

One of the best-known female architects to come out of Italy, Aulenti found fame with her transformation of a dated Parisian train station into the Musée d’Orsay.
Casa Malaparte

The Ins and Outs of Architecture

Use this wide-ranging collection of stories about architecture, landscape, and design to fuel your imagination and your research interests.
A detail from Ophelia by John Everett Millais, c. 1851

JSTOR Daily’s Archives of Art History

Our editors have rounded up a collection of stories about art, artists, museums, and the way (and why) we study them.
Surrealist artists at the first Surrealist Exhibition to be held in London. Back row, from left, are Rupert Lee, Ruthven Todd, Salvador Dali, Paul Eluard, Roland Penrose, Herbert Read, E LT Mesens, George Reavey and Hugh Sykes-Davies. Front row, from left, Diana Lee, Nusch Eluard, Eileen Agar, Sheila Legge and unknown.

Surrealism at 100: A Reading List

On the centennial of the founding of Surrealism, this reading list examines its radical beginnings, its mass popularity, and its continued evolution.
Louise de Kéroualle, Duchess of Portsmouth by Pierre Mignard I

Painting Race

The construction and expression of race by skin color literally became visible in Western art in the eighteenth century.
Madonna and Child with Saint Jerome and Saint John the Baptist

How Renaissance Art Found Its Way to American Museums

We take for granted the Titians and Botticellis that hang in galleries across the United States, little aware of the appetites and inclinations of those who acquired them.
Ceiling of the Room of the giants in Palazzo Del Te, Mantua

Lessons in Mannerism at the Palazzo del Te

The offbeat and unexpected Palazzo del Te, designed by Giulio Romano for Federigo II Gonzaga, Duke of Mantua, has become an icon of Mannerist architecture.
Original art for The Shadow by Charles Coll

What the Shadow Says

The appearance of the vigilante crime fighter known as the Shadow in the writings of Plath, Kerouac, and Baraka reveals a twentieth-century duality.