Xerox and Roll: The Corporate Machine and the Making of Punk
On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.
Revisiting Yeshayahu Leibowitz
The late Israeli thinker spoke of the occupation's moral cost for both sides of the conflict. A philosopher considers how his nuanced arguments hold up in 2023.
Layers and Landmarks at the Argive Heraion
Using text analysis tools such as JSTOR's Constellate helps archaeologists see how the meanings and interpretations of heritage sites have changed over time.
Walkers in the City—and Everywhere
In psychogeography, the journey is key. Each step a person takes helps them reshape and better understand the role the space around them plays in their life.
Kahlil Gibran: Godfather of the “New Age”
Published in 1923, The Prophet became a perpetual best-seller, birthed a genre, and marked the poet as retrograde, sentimental, and florid.
“The Poet Is a Man Who Feigns”
Portuguese modernist Fernando Pessoa channeled a grand, glorious chorus of writers—heteronyms, he called them—robust inventions of his unique imagination.
The Daguerreotype’s Famous. Why Not the Calotype?
William Henry Fox Talbot’s obsession with protecting his pioneering photographic process doomed his reputation and reduced his legacy to historical footnote.
From the Black Queer South to the World
Across its twelve-year lifespan, Atlanta-based Venus magazine brought southern voices to the larger Black queer print media network.
Ismat Chughtai’s Quilt and Queer Desire
Long before India decriminalized homosexuality—in September 2018—the short story "Lihaaf" sparked outrage and a lawsuit for its depiction of same-sex, intergenerational intimacy.
