In 1710, Queen Anne of England feted four Native American dignitaries—would-be political allies. Their presence at a performance of Macbeth caused a stir.

Ronald Johnson’s Valley of the Many-Colored Grasses, newly re-issued, offers entry into the work of a pioneering master collagist.

The multifaceted nature of creativity subverts the assumption it’s a human endeavor exclusively—meaning we might need to radically re-think the definition of “art.”

Though technological innovation has always influenced considerations of art—think of Duchamp’s controversial urinal—the constant throughout is human touch.

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.

The late Israeli thinker spoke of the occupation's moral cost for both sides of the conflict. A philosopher considers how his nuanced arguments hold up in 2023.

In psychogeography, the journey is key. Each step a person takes helps them reshape and better understand the role the space around them plays in their life.

Published in 1923, The Prophet became a perpetual best-seller, birthed a genre, and marked the poet as retrograde, sentimental, and florid.

Portuguese modernist Fernando Pessoa channeled a grand, glorious chorus of writers—heteronyms, he called them—robust inventions of his unique imagination.