Photo of Generic Punk Concert, 1970s

Punks vs. Cowboys in Reagan Country 

A bastion of both the Old and New Right, Orange County in the late 1970s seems an unlikely place for punk rockers.
John Travolta movie art for the film 'Saturday Night Fever', 1977. (Photo by Paramount/Getty Images)

Disco and Classical Music: A Copacetic Couple

Despite seeming like strange dance partners, disco and classical make the best music—together.
German Singing Society, 22nd Infantry, Ft. Keogh, May 13, 1894

German Song in America

In the late 1800s, German American singing festivals united German immigrant communities and brought new kinds of cultural activities to the United States.
The "Hungaria Skins" group on the 1997 Day of Honour demonstration, Budapest, Hungary

How Hungary’s Hard Rock Became Hard Right

Punk and hard rock—or at least extremist, right-wing versions of them—are alive and well in post-Cold War Hungary.
Unclassics: Obscure Electronic Funk and Disco, 1975–1985

Quebec Disco: Influenced by Italo Disco?

Ostensibly developing on continents apart, the sounds Quebec Disco and Italo Disco exhibited an identifiable sonic kinship.
Negril, March 11, 1982

Mashup at the Intersection of Deco and Hip-Hop

Archived at Cornell University, a collection of flyers promoting dance-inspiring DJ sets in the Bronx established the visual identity of a new cultural era.
Elisha Gray

Gray’s Music: Over the Telegraph

Inventor of the telephone Elisha Gray also pioneered the world’s first purpose-built electric musical instrument.
Lady Gaga speaks during the Spotify: Little Monster Press Conference in New York City, March 2025

Lady Gaga’s Return to Form

With Mayhem, Lady Gaga offers (again) utopia on the dance floor—but is there anyone left in the club to experience it?
Calvin presiding over a colloquium in Geneva, 1549.

When Singing Was a Crime

Calvinist reformers in sixteenth-century Geneva frequently punished people for immoral behavior—like singing.
Roy Orbison, 1965

How Roy Orbison’s Repertoire Shaped David Lynch’s Films

Drawing on the nostalgic feelings evoked by Orbison's music, Lynch added new layers to the cinematic traditions of film noir.