Amy Shearn

Clare Boothe Luce was a socialite, an editor, a feminist playwright, a devout Roman Catholic, a Republican Congresswoman, an early LSD user, an ambassador, and, believe it or not, more.

Louisa May Alcott's "Little Women" is a cultural touchstone. But what about the women behind the "Women," Alcott's real-life sisters on whom she based her characters? An interview with novelist Elise Hooper considers the life of "The Other Alcott."

Remembering history helps us to parse the present, and it follows that women struggling to process these "decades of pent-up anger" can find apt reading material in the feminist fiction of the 1970s.

The film Goodbye, Christopher Robin tells the story of how A.A. Milne's popular children's stories damaged his son, the real-life Christopher Robin.

Brief commentary on one line from JSTOR: An unsigned editorial from an 1870s issue of Scientific American suggests that women can be great inventors, too.

Author Rachel Kadish tells us about how she used JSTOR to research her fascinating, complex new novel, The Weight of Ink.

Debut novelist Hala Alyan on how she researched her new, much-buzzed-about novel Salt Houses, with a little help from JSTOR.

Before she created her masterpieces like The House of Mirth and The Age of Innocence, Edith Wharton had a brief (unsuccessful) stint as a playwright.

Best-selling Canadian novelist Claire Cameron on how she researched her new novel The Last Neanderthal, with a little help from JSTOR.

Anne Shirley, created almost 100 years ago, has been reimagined countless times. Why do we still love Lucy Maud Montgomery's plucky orphan?