Leonard de Koningh, Self-portrait as a painter, 1864-73

Did Photography Really Kill Portrait Painting?

While some viewed photography as a competitor for their customers, Dutch portrait painters reaped the benefits of the emerging medium.
Photograph: French fashion designer Christian Dior sketches a dress at his salon in Paris, France, February 1948

Source: Getty

Christian Dior vs. Christian Dior

The designer’s impulse to convey his two selves to the public stemmed from a desire to be seen as genuine artist working in a world of artifice.
Dr. Rivers Frederick Perfoming Surgery at Flint-Goodridge Hospital

Introducing Our Visual Literacy Column, “Learning to Look”

Developing visual literacy skills unlocks a means of understanding and engaging with the world that cannot be replaced by any text.
Detail from Las Meninas by Diego Velázquez

Who Was the Little Girl in Las Meninas?

A Spanish princess who became a German queen, Margarita Teresa lived a life structured by Catholicism and cut short by consanguinity.

Our Obsession with Art Heists

A deeply ingrained interest in stolen objects and their recovery reflects our collective uncertainty over how we value art.
Portrait of Beatrice Hastings before a door by Amedeo Modigliani

Beatrice Hastings: The Forgotten Modernist

Marginalized in early histories of Modernist literature, Hastings left a mark on one of the most influential literary magazines of the early twentieth century.
Have One Brand

Orange Crate Art

California citrus growers drew on mass-printing techniques and advances in color lithography to create distinctive brands for their boxes.
Rosa Bonheur in her atelier (1893) by Georges Achille-Fould

Rosa Bonheur’s Permission to Wear Pants

One of the few women permitted to wear trousers during the Third Republic, the French artist developed a sense of self through her clothing choices.
Jackie Ormes

The Groundbreaking Work of Jackie Ormes

The first Black woman to have a regularly published comic strip, Ormes gave form to the political and social concerns of Black Americans.
The cover of Ebony and Topaz: A Collectanea

The Short but Influential Run of Ebony and Topaz

The 1927 art and literature magazine only ran for a single issue, but “proved an integral component of Harlem Renaissance cultural production."